Early one morning; yellow, umber, black uses Blinky Palermo as its departure point. Reproduced however, in three varying door sizes, it is the missing door handles and hinges that separate these works from more conventional geometric paintings. Combining a fascination for the everyday and moments of abstraction that can be found almost anywhere, with a relationship and reverence to modernist art’s legacy of abstraction, these works explore the nature of geometric abstraction through colour, scale and materials.