From Art to Life to Art. Colourful tin cans are stacked end to end and snake impossibly throughout the gallery space. The legacy of Minimalism’s intrinsic relationship between the object, space, and the body is expanded by Dahlgren. The contents of the tin-cans having been consumed by the artist, and their metallic graphic wrapped cylindrical husks remaining as both record and measure. These familiar items are removed of their original function and recontextualised as a colourful abstract linear geometric form, creating a dialogue between pure formal abstraction and a shared social culture. From Art to Life to Art speaks both to high modernism and minimalism as well as to pertinent contemporary issues of food production, consumption, cost of living and the economies of a personal and global nature.